FEDEX

2011, gouache on wood, 108 x 105 x 5 cm

Photo: Ben Hermanni

Primitive society

2011, pigment on wood, 2-part each 116 x 108 x 5 cm

Photo: Ben Hermanni

Yes, please

2012, pigment on wood, 56 x 49 x 2.5 cm

Photo: Ben Hermanni

UNCANNY HOME

2011, digital photoprint, wallpaper, size variable

Breaking News-Fukushima and the Consequences, KW Institute for Contemporary Art, Berlin, Germany

LOL

2012, pigment on wood, metal wire, 26 x 26 x 5 cm

Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany

Photo: Lena Böhm

X

2012, pigment on wood, 84 x 54 x 22.5 cm

Drunken Sailor, Jagla Ausstellungsraum, Cologne, Germany

Photo: Lena Böhm

Drunken Sailor

2012, gouache on wood, 2-part installation, 440 x 200 x 2 cm, 280 x 200 x 2 cm

Jagla Ausstellungsraum, Cologne, Germany

Photo: Lena Böhm

Gitter

2013, gouache on wood, 5 x 64 cm

Photo: Ben Hermanni

UNTITLED

2012, gouache, graphite on wood, 71 x 50 x 16 cm

Jahresgabe Könischer Kunstverein, Cologne, Germany

Private Collection

Photo: Ben Hermanni

IN-Grid

2012, lacquer and pigment on wood, 250 x 250 x 120 cm

Maison de Plaisance/Jardins des Plaisirs, Museum Morsbroich, Leverkusen, Germany

Photo: Ben Hermanni

IN-Grid

2012, lacquer and pigment on wood, 250 x 250 x 120 cm

Maison de Plaisance/Jardins des Plaisirs, Museum Morsbroich, Leverkusen, Germany

Photo: Ben Hermanni

IN-Grid

2012, lacquer and pigment on wood, 250 x 250 x 120 cm

Maison de Plaisance/Jardins des Plaisirs, Museum Morsbroich, Leverkusen, Germany

Photo: Ben Hermanni

Stresser

2012, pigment on wood, thread, 238 x 175 x 128 cm

Studio Kölnischer Kunstverein, Cologne, Germany

Photo: Ben Hermanni

CIRCUS I

2013, gouache on wood, 94 x 104 x 16 cm

Jahresgabe Kölnische Kunstverein, Cologne, Germany

Photo: Alexander Böhle

CIRCUS II

2013, Gouache on wood, 94 x 104 x 16 cm

Jahresgabe Kölnische Kunstverein, Cologne, Germany

Photo: Alexander Böhle

Cave Carrara

2013, Digital Photoprint, 98 x 49 cm

@stephanie Stein

Bows

2023, gouache on wood, acrylic on thread, 2-ßart, each 98 x 20 x 0.5 cm

Photo: Ben Hermanni

Alexey’s

2013, Gouache on wood, thread, 165 x 155 x 30 cm

O, Natalia Hug, Cologne, Germany

Photo: Ben Hermanni

Problem MIAMI

2013, Gouache on wood, 110 x 42 x 0.5 cm

O, Natlaia Hug, Cologne, Germany

Photo: Ben Hermanni

Problem Yellow

2013, Gouache on wood, 110 x 3 x 0.5 cm

O, Natlaia Hug, Cologne, Germany

Photo: Ben Hermanni

Problem III

2013, Gouache on wood, 113 x 9 x 0.5 cm

O, Natlaia Hug, Cologne, Germany

Photo: Ben Hermanni

Problem I

2013, Gouache on wood, 113 x 9 x 0.5 cm

O, Natalia Hug, Cologne, Germany

Photo: Ben Hermanni

Problem II

2013, Gouache on wood, 113 x 9 x 0.5 cm

O, Natlaia Hug, Cologne, Germany

Photo: Ben Hermanni

Du-L

2013, Gouache on wood, 98 x 24.5 x 11 cm

O, Natalia Hug, Cologne, Germany

Photo: Ben Hermanni

Schon bald

2013, Gouache on metal, 100 x 100 x 15 cm

O, Natalia Hug, Cologne, Germany

Photo: Ben Hermanni

'O' Installationview

2013, Natalia Hug, Cologne, Germany

Photo: Ben Hermanni

Untitled

2013, Gouache on metal, thread, dimension variable

The End, Q-Box Gallery. Athens, Greece

WAS

2014, Rope, MDF, 1100 x 800 x 700 cm

IFINITO, Maschinenhaus Essen, Germany

Collaboration Tobias Hoffknecht

Photo: Ben Hermanni

Internationale Spezialität

2014, Acrylic on rope, 62 x 38 x 21 cm

L’avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy

Photo. Philip Seibel

Schadensfall

2014, Gouache on wood, dimension variable

L’avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy

Photo. Philip Seibel

Bugs

2014, Gouache on metal, 114 x 15 x 15 cm

L’avventura – Die mit der Liebe spielen, Palazzo Guaineri delle Cossere, Brescia, Italy

Photo. Philip Seibel

Installationview

The Vacancy, Galerie Crone, Berlin, Germany

Photo: Markus Schneider

Topless

2015, Graphite on wood, 100 x 220 x 10 cm

The Vacancy, Galerie Crone, Berlin, Germany

Photo: Markus Schneider

Schlauch

2014, Digital Photoprint, 2-part each 40 x 50 cm

Collaboration Tobias Hoffknecht

O-Ton

2015, Plexiglass, 170 x 120 x 40 cm

Bobbi, A+B Contemporary, Brescia, Italy

Collaboration Tobias Hoffknecht

Photo: Davide Sala

Untitled

2015, graphite on wood, 100 x 45 x 3 cm

La Gorgiera Del Tempo, MAC Musei d’Arte Contemporanea, Lissone, Italy

Photo: Davide Sala

Installationview

Bobbi, A+B Contemporary, Brescia, Italy

Collaboration Tobias Hoffknecht

Photo. Davide Sala

Spagat

2015, Graphite on wood, 100 x 175 x 75 cm, side-specific installation

Bobbi, A+B Contemporary, Brescia, Italy

Collaboration Tobias Hoffknecht

Photo. Davide Sala

Ich ging an mir vorbei

2016, Gouache on metal, 150 x 25 x 30 cm

Extradelicato International, Milano, Italy

Photo: Sophie Ko Cheiddze

Grotten (Serie)

2016, sil

Affenclub (Bild fehlt 045)

2016, Videoloop, sound by Andreas Reihse

Noch nicht, Q-Box Gallery, Athens, Greece

Photo: Stephanie Stein

Installationview

Noch nicht, Q-Box Gallery, Athens, Greece

Photo: Q-Box Gallery

I’m back

2016, Silkscreen, 99 x 69 cm

Noch nicht, Q-Box Gallery, Athens, Greece

I’m back (installationview)

2016, Silkscreen, 99 x 69 cm

Noch nicht, Q-Box Gallery, Athens, Greece

Untitled

2016, Graphite on wood, 7-part installation, 150 x 2 x 305 cm

Noch nicht, Q-Box Gallery, Athens, Greece

Photo: Q-Box Gallery

Installationview

Noch nicht, Q-Box Gallery, Athens, Greece

Photo: Q-Box Gallery

Model Bologna

2016, movable metalmechanism, 80 x 80 x 160 cm

Noch nicht, Q-Box Gallery, Athens, Greece

Photo: Q-Box Gallery

Milano

2016, Gouache on metal, 157 x 20 x 30 cm

Untitled substitute, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

Untitled (substitute) II

2016, Gouache on wood 375 x 12 x 2 cm

Untitled substitute, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

Untitled (substitute) I

2016, Gouache on wood 400 x 225 x 2 cm

Untitled substitute, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

Installationview

Untitled substitute, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

Installationview

Untitled substitute, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

OH NO!

2017, lacquer on metal, movable, 70 x 70 x 140 cm

FOLD, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

Untitled

2017, acrystal, cast neon tube, size variable

FOLD, ASPN Gallery, Leipzig, Germany

Photo: Stefan Fischer

ERROR O -> Bild / Video(fehlt)

2017, video loop with performative sound by Andreas Reihse, lyrics by Marcus Steinweg

Le Clan

2017, Graphite on wood, 5-part installation, size variable,each 120 x 2 x 2 cm

Solo For One, Kosmetiksalon Babette, Berlin, Germany

Photo: Markus Schneider

ERROR O

2017, 2-part video-installation, loop with performative sound by: Andreas Reihse, lyrics by Marcus Steinweg

Solo For One, Kosmetiksalon Babette, Berlin, Germany

Photo: Markus Schneider

DEVICES TO ENTER A SPACE (inside)

2018, lacquer and graphite on wood, six-part installation, size variable, each 200 x 20 x 13 cm

Devices to enter a space, kjubh Kunstverein, Cologne, Germany

Photo: Achim Kukulies

DEVICES TO ENTER A SPACE

2018, lacquer and graphite on wood, six-part installation, size variable, each 200 x 20 x 13 cm

Devices to enter a space, kjubh Kunstverein, Cologne, Germany

Photo: Achim Kukulies

H.O.T. (HOUSE OF TROUBLE) -> Bild fehlt

2019, graphite on wood, 5-part installation / mise en scène, size variable, each 250 x 120 x 3 cm

Public Program Paris Internationale, The Performance Agency, Paris, France

Photo: courtesy oft he artist

H.O.T. (HOUSE OF TROUBLE)

2019, graphite on wood, 5-part installation / mise en scène, size variable, each 250 x 120 x 3 cm

Public Program Paris Internationale, The Performance Agency, Paris, France

Photo: courtesy oft he artist

HI - FI -> Bild fehlt

2020, Digital photoprint, size variable

Who am I, Megamelange, Cologne, Germany

Photo: Megamelange

Ideology

2020, Digital photoprint, size variable

Who am I, Megamelange, Cologne, Germany

Photo: Megamelange

Robin Hood

2020, Digital photoprint, size variable

Who am I, Megamelange, Cologne, Germany

Photo: Megamelange

Zu Hause kennt eine Jeder (Edition)

2020, graphite on wood, digital photoprint 33 x 33 x 3 cm

Edition, Galerie Crone, Wien, Austria

Photo: Markus Schneider

Macht Nichts

2021, Acrystal, body imprints, 4-part installation, each, 220 x 120 x 28 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Installationview

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Un peu beaucoup

2021, Silkscreen on Fedrigoni Sirio Color 200g, 4-part installation, each 70 x 100 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Un peu beaucoup (flamingo)

2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 00 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Un peu beaucoup (gialloro)

2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Un peu beaucoup (arancia)

2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

Un peu beaucoup (limone)

2021, Silkscreen on Fedrigoni Sirio Color 200g, 70 x 100 cm

2012, Feeling the roomtemperature, Setareh, Berlin, Germany

Photo: Trevor Good

REIN UND RAUSLAND -> Bild fehlt (IMG 095)

2021, Videoloop, Sound: Carlo Heller

REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany

Photo: Johannes Bendzulla

IO

2021, Digital photoprint, 2-part, each 59 x 37 cm

REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany

Photo: Johannes Bendzulla

Condition

2021, Graphite on wood, lacquer on metal, 107 x 100 x 10 cm

REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany

Photo: Johannes Bendzulla

90 – 60 – 90

2021, Graphite on aluminium, 9-part installation, 267 x 267 x 1 cm

REIN UND RAUSLAND, Espace Sauvage, Düsseldorf, Germany

Photo: Johannes Bendzulla

LOL (reloaded)

2022, Lacquer on brass, 26 x 26 x 5 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

LOL (reloaded)

2022, Lacquer on brass, 26 x 26 x 5 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

Zu hause kennt eine Jeder

2022, Digital Photoprint on Römerturm KOH-I-NOR, laminated on 2mm aluminium, 110 x 139 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

Zu hause kennt eine Jeder

2022, Digital Photoprint on Römerturm KOH-I-NOR, laminated on 2mm aluminium, 110 x 139 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

L’autre (detail)

2022, Glass, 14-part installation, size variable, each 30 x 10 cm, diameter 15mm each

OASE, Setareh Berlin, Germany

Photo: Trevor Good

L’autre (detail)

2022, Glass, 14-part installation, size variable, each 30 x 10 cm, diameter 15mm each

OASE, Setareh Berlin, Germany

Photo: Trevor Good

L’autre (installationview)

2022, Glass, 14-part installation, size variable, each 30 x 10 cm, diameter 15mm each

OASE, Setareh Berlin, Germany

Photo: Trevor Good

NO Consequences

2022, Silkscreen on Splendorlux ( Ferro Mirror), 132 x 176 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

NO Consequences (installationview)

2022, Silkscreen on Splendorlux ( Ferro Mirror), 132 x 176 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

O

2022, Digital Photoprint Hahnemühle Baryta Fine Art Paper , 160 x 210 cm

OASE, Setareh Berlin, Germany

Photo: Trevor Good

Installationview

OASE, Setareh Berlin, Germany

Photo: Trevor Good

Oase

2022, video / sound installation, 3:40 min, loop, sound composition: Carlo Heller

OASE, Setareh Berlin, Germany

Photo: Trevor Good

Oase Video -> Video fehlt

2022, video / sound installation, 3:40 min, loop, sound composition: Carlo Heller

Untitled

2023, digital photoprint on fine art paper, size variable

Edition , Stephanie Stein

RUN

2024, silkscreen print, 102 x 72 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

Hit -> Video fehlt

2024, video loop

RUN RUN RUN, Kunstraum München, Germany

HIT

2024, video loop

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

ECHO I / ECHO II

2024, lacquer on wood, each 50 x 39 x 2.5 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

ECHO I / ECHO II

2024, lacquer on wood, each 50 x 39 x 2.5 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

FAR FROM HOT BATHS

2024, lacquer and gouache on stainless steel, 6-part installation, size variable (height 220cm)

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

THE PROMISE (detail)

2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

THE PROMISE

2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

THE PROMISE

2023, lacquer on wood, hinges, movable, 220 x 3 x 4 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

BACK TO WORK

2024, gouache on stainless steel, 54 x 42 x 0.05 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

UNINTERESTED

2024, gelatin silver print, 52 x 68 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

Continuous Interest

2024, Glass 17-part installation, each 110 – 130 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

RUN

2024, silkscreen print, 102 x 72 cm

RUN RUN RUN, Kunstraum München, Germany

Photo: Thomas Splett

Installationview (L’invitation au voyage)

2024

L’invitation au voyage, Brunhilde Bordeaux- Groult, & Robert Elfgen, Rue Raffet, Paris, France

Photo: Fannie Plessis

LEFTOVER

2024, gouache on metal, 103 x 0.5 x 0.3 cm

L’invitation au voyage, Brunhilde Bordeaux- Groult, & Robert Elfgen, Rue Raffet, Paris, France

Photo: Fannie Plessis

STUDY FOR ONE PER PERSON

2024, gouache on metal, 59.4 x 42 x 0.3 cm

L’invitation au voyage, Brunhilde Bordeaux- Groult, & Robert Elfgen, Rue Raffet, Paris, France

Photo: Fannie Plessis

STUDY FOR ONE PER PERSON

2024, gouache on metal, 59.4 x 42 x 0.3 cm

L’invitation au voyage, Brunhilde Bordeaux- Groult, & Robert Elfgen, Rue Raffet, Paris, France

Photo: Fannie Plessis

Oase (installationview)

2022, video / sound installation, 3:40 min, loop, sound composition: Carlo Heller

Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada

Oase

2022, video / sound installation, 3:40 min, loop, sound composition: Carlo Heller

Another Green World, Morris and Helen Belkin Gallery, Vancouver, Canada

FOLLOW UP (editions)

2025, collage, 36 x 26 x 0.3 cm, collaborative limited edition of 20 unique pieces by Tony Just and Stephanie Stein

FOLLOW UP (editions)

2025, collage, 36 x 26 x 0.3 cm, collaborative limited edition of 20 unique pieces by Tony Just and Stephanie Stein

Untitled

Tony Just

LABOR Ebertplatz, Cologne, Germany

Photo: Christoph Klute

Untitled

2025, gouache on metal, side-specific 2-part installation, size variable, each 350 x 0.5 x 0.3 cm

LABOR Ebertplatz, Cologne, Germany

Photo: Christoph Klute

FOLLOW UP (installationview)

2025

LABOR Ebertplatz, Cologne, Germany

Photo: Christoph Klute

FOLLOW UP

2025, billboard, collaborative print by Tony Just and Stephanie Stein

LABOR Ebertplatz, Cologne, Germany

Photo: Christoph Klute

Installationview

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

STUDY FOR ACAPULCO & ACAPULCO

2025, gouache on metal, acrylic on thread, 45 x 45 cm & 94 x 94 cm

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Denial

2025, mixed media drawing on watercolor paper, 33-part drawing, each 51 x 36 cm

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Installationview

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Owen Gump

The iCloud ( Apple Inc. Data Center), Storey County, Nevada, 2019

2025, edition of posters, duplex – offset – print, 42 x 59,4 cm

MARE’S NEST., Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Installationview

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Untitled

2025, pastel chalk, side-specific walldrawing, ca. 15 x 934 x 863 cm

MARE’S NEST. Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

KISSYOU!, Ich ich ich

2025, digital print on Hahnemühle Fine Art Paper, on dibond in crafted frame, 71 x 93 cm

MARE’S NEST., Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha

Where’s West

2025, digital print on Hahnemühle Fine Art Paper, on dibond in crafted frame, 71 x 93 cm

MARE’S NEST., Galerie Norbert Arns, Cologne, Germany

Photo: Mareike Tocha